Monday, December 6, 2010

A New Way to Shoot Video

In today's world of technology and increasing domination of social networking communities, video has become the forefront on many business websites, blogs, and of course Facebook. I worked with a professional photographer a few years ago as his assistant and I remember asking him what avenues to take to be a photographer someday. He responded and told me that the photography industry is soon going to be obsolete because many people are going to lean towards video, specifically cameras that can shoot photos and video at the same time. I was shocked at his response because that meant that he would not be in business for much longer. I realized that what he meant was that the industry and technologies are changing, and to be a player on the same field, you have to adapt and change as well.

The new technology in professional photography cameras, DSLR cameras, today is absolutely amazing! For the first time ever really, the photography industry is now apart of the video industry. Cameras like the Canon 7D that are your standard professional photography camera, are now capable of shooting high definition video. This has become a young film makers dream because for the cost of high definition equipment today, you would be paying tens of thousands of dollars, whereas with the 7D, you are only dishing out a couple thousand to get what is arguably the same (if not better) quality video.

I came across this video on YouTube that shows how you can adapt your DSLR to do the things a Panasonic HPX (or other high def camera) can do, and then some... The mobility and ease of use with the DSLR lets you take the camera almost anywhere and in any condition. Video cameras are often heavy and hard to maneuver in small spaces where the shot really counts. The DSLR is about a 1/4 of the size of an HPX and can get into tight spaces to get shots other cameras wouldn't normally be able to.

In the legal video industry, imagine being out at a scene taking photos and then being able to capture high definition video seamlessly on the same media card with the flick of a switch. This is where these new technologies are taking us, and it's giving young filmmakers, and even experienced ones, the opportunity to move the camera and use a different kind of lens system that they never were able to before.

Filmmaker, Leonard Retel Helmrich, talks about how video cameras are designed wrong, and in order to get nice smooth video you have to use steadicam systems, and other accessories, to achieve what you are looking for. He believes that video cameras should be designed and shaped the way photography cameras are because it allows you to hold it more naturally and move in a way that you can't with a standard video camera. I was able to ask him at a workshop one day what he thought about the new DSRL cameras that are going to able to capture high definition video, and he told me that it's about this concept is actually coming to life.

The new wave of DSLR cameras is already changing the industry by allowing young filmmakers to produce high quality video with a camera that is able to capture professional audio, video, and maneuver in ways that experienced filmmakers wish they could years ago.

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